Sunday, October 7, 2012

Gaming Podcasts

I play RPGs twice a week but it's never enough, and so to help me through the rest of the week I've started to listen to various podcasts.  These range from 'roundtable discussions' on roleplaying and related subjects, to actual play recordings for various RPGs.  Here's my current play list:

1. Chronicles: Pathfinder Podcast
If you play Pathfinder you really need to check this one out. It's long (some episodes are 6 hours+) but full of goodness, with interviews, rules clarifications, extensive 'spoilerific' reviews and more.

2. Gamerstable
A round table discussion podcast on a variety of roleplaying and gaming related subjects.  Usually entertaining and fun to listen to.

3. Idle Red Hands
Similar in style to Gamerstable, Idle Red Hands usually serves an interesting discussion on the latest games as well as playing them.

4. The Unspeakable Oath
If you enjoy Call of Cthulhu, and especially Delta Green, then this is the podcast for you! Interviews with Dennis Detwiller, and Adam Scott Glancy, as well as the latest developments with Delta Green should be all the reason you need to check this one out.

5. YSDC: For Lovecraft & Cthulhu
Made up of two different shows; News from Pnakotus and The Silver Lodge, the Yog-Sothoth podcasts are great resources and entertainment for CoC fans.

6. HP Literary Podcast
Now ended - but all the shows are available for listen to.  If you enjoy reading HPL you probably know about this show already, and if you don't, where have you been, The Great Library??

7. Haste - The Official Obsidian Portal Podcast
Not only is Obsidian a great tool for gamesmasters, they also do a podcast, and it's well worth listening to; focusing on gaming news in the most part.

All the podcasts can be freely subscribed to via iTunes if you use that (which I do), just do a search in the store.

I'm sure there are other amazing podcasts out there, but these are the ones I take time to listen to at the moment.  If you have any others you would recommend, please let me know!

Monday, October 1, 2012

Life is too short


I was recently putting some things away in my attic and I came across a number of boxes brimming with roleplaying books dating back to the 1980s, when I started playing.  Some of these books were very worn, but others looked like new, and I remembered that some hadn't even been read! 

I felt guilty on a number of levels. Firstly that there reems of paper/trees lying there; an obvious waste. Secondly that I felt disrespectful to all the authors, artists, playtesters, et al, that had spend their developing the products just so that on a whim I would buy them and then store them away. Thirdly, that I had 'wasted' money on something that could have been better spent on something for more useful.

The problem is that it doesn't end with the books in my attic. They are like the not-so-squeeky penguin in Toy Story 2; relegated to the 'top-shelf'. I have others that I'm more optimistic about my chances of using, books that are collecting dust in cupboards and bookshelves in my house.  These are the works that stare at me every day accusingly waiting for me to pick them up and read them or more importantly use them in a game. 

I love Call of Cthulhu, but I never get a chance to run adventures as often as I want, and I have pretty much every major CoC campaign published since the 80s.  Staring back at me from my shelf sits 'Masks of Nyarlathotep', 'Beyond The Mountains of Madness', 'Tatters of the King', and many others. I've read some, but not all, and based on the speed at which I'm running them, am likely to retire and/or die before I get a chance. That's just one game, and I have lots of games.

That's quite a sobering thought really.

Part of the problem for me is that I'm passionate about buying books. I love browsing through them, so I suppose I really shouldn't get too hung up on the fact that they are not all going to be played any time soon. I can't stop buying them either. I've slapped down my pledge in for the new Horror on the Orient Express, just like thousands of other gamers, and I know that I will enjoy it, just not necessarily be running the campaign anytime soon.

As I look over at the books on my shelf today (and recall the other books in the attic that I saw yesterday) I think to myself that they each require my attention, but there are so many now that I just don't know where to start.

Roleplaying is one of the greatest hobbies.  Its boundaries are truely limitless, as are the potential for new books supporting it, and there are so many stories I want to tell, so many shared gaming experiences left to try. My bookshelf, like many others I'm sure, is a testament to that, and I'm running out of time. 

Life is too short. 

Thursday, September 27, 2012

Marvel Heroic Roleplaying Review

There's been quite a lot of buzz about the Marvel Heroic Roleplaying game recently.  It won Gold in the Best Rules category of the 2012 Ennies, as well as two Silvers for Product of the Year, and Best Game. 

It's worth mentioning that I am not a massive comic-book or Marvel fan.  I used to be though and my attic is full of 1980s comics and graphic novels, including classics like Watchmen, Batman Returns, Ronin, etc.  I also have very fond memories of playing the original TSR Marvel RPG (FASERIP anyone?!) as well as sessions of the DC Heroes RPG and Golden Heroes RPG. It's fair to say that I've played a few in my time (though, strangely, never touched Champions). But all that was a long time ago and it's been an age since I looked at them.  It's also worth mentioning that I generally played a PC rather than GMed, as I never enjoyed making up superhero plots.

The awards the new Margaret Weiss published version received, as well as my own peeked interest (as much because of the recent brilliant Avengers Assembled movie, as anything else) made me decide to check out the game.

So what's it all about then?

The Marvel Heroic RPG (MHR for short) Basic Edition comes in a 228 page softbound book, which is divided into three main sections; the Operations Manual, The 'Breakout' Event (scenario), and Datafiles (Heroic characters for the event)
The rules for MHR are detailed in the Operations Manual and they are pretty and very flexible.  The central mechanics of the rules are the Dice Pool; a collection of dice of various sizes (from D4 to D12, there is no D20 or D% used in this game), which you then roll, the Doom Pool; a resource pool of Dice that the Watcher (aka the GM) uses to indicate the danger of the situation and to counter the PCs, Plot Points; the game 'currency' that PCs use to do cool things.

Here's how they work in play..

The Dice Pool Mechanic
Your hero has a number of traits that you use to build up your pool.  The first is your Affiliations which is an indication of how well you operate either as a Solo hero, with a Buddy, or in a Team. The second is your Distinctions which are typically defining your background, personality etc. and can be used positively for D8 or negatively for D4 (more on that later).  You then have your Power Sets which indicate what you can do with your amazing powers, and finally you have Specialities; skills and knowledges.
To act, you describe what you want your hero to do (being as descriptive as possible!) and the desired effect, and pick appropriate dice from each of your traits to roll. Let's do that will Captain America (check out the link for a copy of his datafile):

The Capt is on his own and comes across a HYDRA agent up to no good. He wants to slam the agent with his shield..
He starts with D6 from his Solo Affiliation (not great, but Capt is at his best in a Team situation where he gets a D10).
Looking at his Distinction we decides that 'Sentinel of Liberty' indicates his desire to see Hydra defeated, and we use this in a positive way to give us a D8 die.
Captain America has two Power Sets 'Super-Soldier Program' and 'Vibranium-Alloy Shield' and he can use one trait from each by default so we'll pick Enhanced Strength D8 and Weapon D8.
The Capt is one of the worlds best fighters so it's no surprise that we have 'Combat Master' D10 to use, and we do...

The Dice Pool then is D6, D8, D8, D8, D10.  That's a good dice pool to roll!

We declare that we want to cause Physical Stress.
We roll the dice pool and and we get  4, 1, 7, 8, 8 respectively.
Now we build the result.  Firstly we set the 1 to one side; we can't use that. When a 1 is rolled on the dice it's called an Opportunity and can be used by the Watcher (GM) to increase the Doom Pool.
We then have to decide which 2 dice we are going to use for our effect total and decide to pick the D8 roll of 7 and the D8 roll of 8. We add them together for an effect total of 15. Nice!
Finally we take one of the remaining dice (we have a D6 and a D10 left) to use as our Effect. We choose the D10.  For the effect the number on the dice is irrelevant; is the size of the dice that indicates the level of the effect.
So Capt America has swung his shield at the Hydra agent and rolled an effect total of 15 with an effect dice of D10.

To counter the Capt, the agent would build his own pool and roll the dice. If he doesn't roll over Capts total then he's hit for D10 of physical Stress - Ouch!

The Doom Pool Mechanic
The Doom pool is used exclusively by the Watcher to fuel the actions of his characters, as well as an indication of how much challenge or danger there is.  The dice in the pool can be used to add dice to bad guys dice pools, to roll against the hero's actions if there are no bad guys present (Can Collosus pick up that truck? Roll against the Doom Pool), or to do a number of other cool things like creating Scene Distinctions ('the room is now on fire - Burning Room D8') which people can then use in building the dice pool.
Under normal circumstances the Doom Pool starts at 2D6.  When a PC rolls a 1 on a dice (as Capt America did above), the Watcher can activate that opportunity by giving the player a Plot Point and either increasing the Doom Pool by a D6 or increasing a dice in the pool by one step; say from D6 to D8. As you can imagine as the action progresses the Doom Pool gets bigger and the game gets harder.

Plot Points
Plot Points are the players' 'currency'; they are gained and used up throughout play and, like the Watchers Doom Pool, can be used for a number of things; adding extra Effect Dice, performing Stunts, etc. PPs are only ever used by players as the Watcher has his Doom Pool to use instead.  Plot Points can gained easily by using a Distinction in a negative way. For Example Captain America could have used his 'Sentinal of Liberty' distinction when fighting the HYDRA agent if we describe it that Capt is attacking before giving the agent a chance to surrender which is something he's uncomfortable doing. Doing so means he uses a D4 instead of a D8 in his pool but does gain 1 PP.

These mechanics can be used for everything in the game, and it's worth noting that the emphasis is on collaborative narrative play.  There are no figures, no maps, and both players can the Watcher can creative assets ('I pick up the car and throw it at him'), complications ('Carnage wraps you in his tentacles'), or Scene Distinctions ('Narrow Hallway D8')

Intiative, Scenes, Events and More
There are a number of other aspects that make the rules system interesting.  Who acts first is decided by the Watcher and then that person decides who acts next; allowing players to chain their attacks (Collosus: 'I'm picking up Wolverine and throwing him at the Sentinel [a Support Action to generate a 'fastball special' Die for Wolverine to add to his Pool], and now it's Wolverine's turn!'). The game uses two types of Scenes - Action and Transition to construct Events which makes it easy for the Watcher to make their own scenarios.  The use of the Pool mechanic for emotional and mental challenges as well as the more typical physical challenges is great, and Milestones which encourage the Players to role-play to gain XP, which can be used to add PPs, unlock special events or new heroes to play.

Breakout Event
Included in the Basic book is the 'Breakout Event'; a short (two Act) scenario which allows you to recreate the story from New Avengers comic issues 1-6.  It includes all the datafiles for the villains you'll need, as well as un-lockables and milestones that players can take at the beginning to tie their PCs closer to the story ('Round up the fugitives' for example).  It makes a good introduction to the MHR system and is likely to last a couple of sessions of play, with options to extend it much further should you want. 

Datafiles
Finally the MHR basic game ends with a number of Datafiles.  These are complete PCs for players to use and include a number of icons (Captain America, Iron Man, Wolverine, Spiderman, to name but a few).  It's clear that these are really included specifically for you to play through the Breakout event with and if you're looking for the stats for Deadpool, you're going to be disappointed (and will need to wait for the Civil War Event book). There are though, enough datafiles included to keep most people happy and anyone that would want to play a Marvel superheroes game in the first place is likely to know someone. 
The data files highlight one of the great aspects of the MHR game. Though there are various power levels, it's quite possible for Black Widow to stand alongside Iron Man without feeling like a fifth wheel.  The power levels, coupled with the narrative nature of the game, allow everyone to be able to have an impact.

Issues
The Marvel Heroic Role play game is not perfect (though it's pretty close!)  The rules are very simple and might be too simple for those gamers that need books and books of detail (D20 and D&D players, I'm looking at you...)  In play the narrative nature is open to interpretation and possible abuse in the wrong hands; something the Watcher will need to look out for.  The Operations Manual reads well first time, but isn't easy to use as a reference guide later on and in play I found myself struggling to find a rule. The Experience System isn't really about improving your hero, which again might not be to the taste of gamers used to more obvious character progression. Perhaps unsurprisingly the Dice Pool mechanic takes up quite a lot of time in play as the player has to describe the action they are going to perform and the Watcher has to describe a reaction. There's nothing really wrong with this, but action scenes do take some time to resolve; at least initially. Finally, whilst there are rules for character creation, it's quite clear that the designers really want you to play Marvel heroes from the comics. 

Summary
My issues with the MHR system are minor in reality.  The fact is that this game is one of the best systems to come out over the last couple of years and it well deserves the awards it received.  It encourages colloborative narrative story telling supporting by an extremely flexible ruleset. Many of the rules mechanics are fresh and inspired (I'm thinking of stealing the Initiative rules for other games!) and I can easily see this game being used to introduce new gamers to role-playing. It really is that simple and well..FUN!
It won't be for everyone. I'm still not sure that it will sustain a long campaign (though I would love to try out the Civil War Event book) and the style of play might take some time to adjust to, but I'm personally loving it. As a game MHR captures the comic style perfectly, it's easy to understand, fun to play, and doesn't require heavy investment in maps and minis (you will need a bucket full of dice though!)
Marvel Heroic Roleplay is a great game. It deserves to be hugely successful and I hope to see many supplements for it. If you have a passing interest in superhero games, like narrative storytelling, or are just looking for something to pass a few hours and have fun with some friends, you HAVE to get this.

HIGHLY recommended.

Rating 5/5 


Saturday, September 15, 2012

The Stag Lord - Terraclips Style

I have one box each of the six currently available Terraclips sets (Streets, Houses, and Sewers of Malifaux and the newly released Dungeon Rise: Vaults of Ruin, Dungeon Essentials, and Prison of the Foresaken) and I've been looking for a good reason to bring them out and create something.  Well my Kingmaker Pathfinder game is coming to the end of the first book and the PCs are on their way to take out the Stag Lord.  Seemed like a perfect opportunity to see if I could take the map of the his fort and recreate in Terraclips.

Well it took me a couple of hours but I'm pleased to say that I managed to do it! I've used some creative license, and of course, have been constrained by the parts I have available as well as the limitation of Terraclips scenery (not a criticism, just a fact).

Let me know what you think!

This is the view the PCs will have as they approach the fort.  Obviously I've made the entrance a little more grandiose and the barracade isn't as high (I don't have enough parts to make it 15 feet).
Notice the bandit looking out from the watchtower.





This is an elevated view of the front of the fort/  From here you can make out the crumbling central tower. 










Looking down at the corner.  You can see the two watchtowers as well as a couple of bandits on lookout.
 A closeup of the damaged floor where Aurochs makes his home.
 The back of the fort.  Another way in.
The roof off and the steps up to the watchtower. I used a pillar to support it's weigh

The side of the fort with the walkway over the owlbears lair. 
The fort on the gaming table.

The Stag Lord in his room, probably drinking away his sorrows..











Looking down at the ground floor.  The bandits are playing cards, but ready to release 'Beaky' at first alarm











I'll post of review of the Dungeon Rise Terraclips when I get a chance, but suffice to say I'm very happy with them and can't wait to see what my players make of the fort!

Monday, September 10, 2012

Horror on the Orient Express - Kickstarter!

Pretty much every man and his dog familiar is using Kickstarter these days to crowd source the funding for, well, everything!  I tend to avoid them like the plague because 1. I know I would spend a stupid amount of money in pledges on 'cool stuff I don't really need' and 2. I don't have a lot of spare money. 

Still, when I heard about that Chaosium had a Kickstarter to re-publish the old 'Horror on the Orient Express' campaign I pretty much slammed by pledge down and said "where do I sign!"  HotOE is one of those classic campaigns that I never got a chance to pick up and play when it was released originally. and I can't wait to play it. I've seen PDFs of course, but I really (REALLY!) want the boxed edition that the company is planning - with as much addition 'stuff' as I can get my mitts on! 

It will come as no surprise to know that Chaosium made their $20,000 goal and went onto over $100,000.  If you're interested (and well you should be!) check out the Kickstarter.

Thursday, August 30, 2012

Based on a True Story!!

I was at the cinema (or Movie Theater if you're American) yesterday to see the Total Recall remake (slightly above average 3/5 if you're interested) and I saw the trailer for the new Sam Raimi flick 'The Possession'. Splashed across the screen was the message 'Based on a true story..';  a statement that seems to be mandatory for any ghost/demon movie these days that is hoping to do well commercially and one that immediately makes me suspicious - especially when it comes to tales of a supernatural nature. So much so that I quipped to the person next to me "so I presume it's based on experience of someone that bought a box once..' 

Long after I'd left the cinema (and forgotten most of the detail of Total Recall - oh the irony!) I remember that line in the trailer and it got me thinking about it's usage to sell a obviously fictional story. 'Based on a true story' gives a movie, or book, or whatever, a grounding in reality; something tangible to the viewing audience.  I suppose it can make it more engaging, perhaps fire the imagination, and make the drama more 'real' since it might have happened, and it can draw in the audience.

Basically exactly what a GM is trying to do at the gaming table.  

Anyone that has GMed for any length of time is sure to have seen advice on basing stories on real life - stealing plots from the all over the place, but I wonder how many people make a point of telling the players this?  Admittedly this is unlikely to have the right impact in your typical D&D Fantasy game, but if you're playing a game like Call of Cthulhu, Delta Green, or similar, then I reckon there might be significant impact to be had through silently, and without explanation, holding up a sign at the beginning of your first introductory narrative, that simply says 'Based on a True Story'.

Of course, for your own credibility (because you know the players will ask later) it's kind of important that the adventure is 'based' on a true story - or perhaps 'inspired' by it at least! But there are enough mysteries for you to easily pluck a story from the popular media and use that as the basis of your story. Adding tentacles, sea monsters, or aliens later doesn't stop your story being 'based' on a true story does it?

Yes it's a bit of a party trick, but so it a lot of effective story telling and if it engages your players then there's no apology necessary. Just don't do it all the time as it does become a cliche..

In case you're interested The Possession is apparently based on the story of The Dibbuk Box. I'll leave it to you to decide whether that is a good thing.. 

Sunday, August 26, 2012

Developing the Kingmaker Sandbox

I've been GMing the Pathfinder Adventure Path 'Kingmaker' and, though we're still in the middle of the first part 'Stolen Land' I'm already looking ahead for ways I can extend the campaign.

What makes Kingmaker different from the adventure paths that precede it is the very 'sandbox' nature of the campaign story.  Though there are events that take place, and a climax against dangerous opposing forces, the GM has far more opportunity to make the campaign their own.  This got me thinking about how I might want to extend Kingmaker and I've decided to introduce a couple of other stand alone Pathfinder adventures into the mix, as well as extend the back story; in fact foreshadowing to one of my player characters before the game began, as well as hinting at the nature of the bad-guys from the outset of play.

So far I've decided on two Pathfinder adventures to add into the campaign (though not for a few levels yet!)  The first is 'The Realm of the Fellnight Queen', a particularly appropriate scenario that can easily be incorporated into the wooded area that makes up a substantial area of the lands in which Kingmaker is based.  The plot of the scenario also fits very nicely in the overall 'feel' of the Kingmaker campaign, and it's also a good read!

The second adventure I'm intending to add is 'The Harrowing', a unique adventure that takes the PCs 'inside' a Harrow Deck - the Pathfinder equivalent of Tarot cards - in a very much 'Alice in Wonderland' style adventure.  I think it will make for an interesting departure of the King-building nature of the campaign.

Another reason for adding these two scenarios though is my concern that my players are used to being reactive to the plots they are presented with - rather than 'proactive' and going out to build their own adventures.  This is just how we've always played really, and even the 'hexploration' (exploring the hex-grids that make up the 'Stolen Lands' has been something they are only slowly getting used to.

It will certainly be interesting to see how they get on with the Kingdom-building rules. I'm pretty convinced that some will love it and others loathe it.

I think the 'issue' (if you can call it that) is that the gamers in my group enjoy the 'narrative' aspect of roleplaying and that is something that is possibly down-played a little in the Kingmaker adventure path.

Only time will tell.